The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. The son of a weaver, Adrian Johann Frutiger was born on May 24, 1928, in Unterseen, near Interlaken, Switzerland. Font Designer – Adrian Frutiger. The time soon came when texts were no longer set in metal types but by means of a … The word avenir is French for "future". His career spanned the hot metal, phototypesetting and digital typesetting eras. The book about work of a famous type designer Adrian Frutiger, that consists of the interviews with people from industry, articles and 'interactive section'. There is perhaps no single typographer whose work can be found in such a diverse range of applications. A year later he joined the Paris-based Deberny & Peignot type foundry. Adrian Frutiger, photo by Henk Gianotten. Until his death, he lived in Bremgarten bei Bern. Adrian Frutiger, who died last week at age 87, created typefaces that make you feel at … By 1962, Frutiger had established his own graphic design studio with Bruno Pfaffli and Andre Gurtler in Arcueil near Paris. Catalog for the traveling retrospective exhibition of Frutiger's work “Adrian Frutiger, son oeuvre typographique et ses écrits.” Preface by Jost Hochuli, whose original German version appeared later that same year in Adrian Frutiger, Denken und Schaffen einer Typografie, released by the same publisher. Adrian Frutiger Contemporary Swiss graphic designer, typographer and type designer of imagination and consummate craftsmanship, associated with Deberny & Peignot , Bauer and Linotype . Adrian Frutiger was born on May 24, 1928 in Unterseen on the river Aare, in the canton of Berne. As a youth he hoped to be … Avenir is a geometric sans-serif typeface designed by Adrian Frutiger in 1987 and released in 1988 by Linotype GmbH.. Athough interested in many fields including woodcut and paper sillhouettes, Frutiger has been passionate about typography for his entire life. After training as a typesetter in Interlaken and studying at the Zurich School of Applied Arts (1949–1951), he first worked as a graphic designer at Alfred Willi Mann and Walter Käch in Zurich. I first experienced the power of type to make the whole intellectual world readable with the same letters in the days of metal. Had Adrian Frutiger retired at the age of 29 after designing Univers, he would have already made an indelible contribution to the evolution of typography. This awakened in me the urge to develop the best possible legibility. Adrian Frutiger has created some of the most used typefaces of the 20th and 21st century. Adrian Frutiger was a typeface designer who influenced the direction of digital typog-raphy in the second half of the 20th century and into the 21st. While the late Swiss type designer Adrian Frutiger (1928–2015) is best known for his renowned typefaces such as Univers , Avenir , and Frutiger , many people are less familiar with the symbols and monograms he designed. However, his work was by no means complete. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface.